This traditional Chinese ink painting of two birds on a branch is closely associated with the style of Zhao Shao’ang (1905–1998), a prominent master of the Lingnan School of painting. The artwork is executed in the xieyi (spontaneous) style, characterized by expressive brushwork and light washes of color. Two small birds, likely sparrows, are perched on a curved branch. This “flower-and-bird” (huaniao) theme is a hallmark of the Lingnan School, which emphasizes life-like depictions blended with modernist influences. The use of gold flecks or a gold-dusted background adds a decorative and elegant quality often seen in modern iterations of traditional themes. The vertical inscription on the right includes the characters “丙戌” (bingxu), which indicates a year in the 60-year sexagenary cycle (probably 2006) and also references “春” (chun), meaning spring. Zhao Shao’ang was a leading figure in the Lingnan School, which sought to modernize Chinese painting by incorporating Western techniques of light and perspective into traditional ink wash. His works are renowned for their vibrant colors and dynamic, yet delicate, portrayal of nature. It is framed with a vibrant red silk and has a format similar to Japanese tsuitate. Size: 45,5 x 43 cm
Our Japanese Paintings
The japanese painting for sale in our collection are carefully selected to bring you one of the quintessential forms of Japanese art. Masters such as Hokusai and Hiroshige have portraid the people and beauty of Japan. Both Kakejiku and Ukiyo-e represent the most traditional form of painting.
- The Kakejiku appear in their mature form around the Heian period (9th–12th c.), heavily influenced by Chinese hanging scrolls brought by monks and diplomats. At first they’re mostly religious: Buddhist images and calligraphy used in temples. By the Muromachi period (14th–16th c.) they move into elite secular spaces, especially the tokonoma, the elevated alcove of the traditional Japanese room.
During the Momoyama and Edo periods, kakejiku explode in variety and social reach. Tea ceremony culture is crucial here: the scroll sets the tone of the room and is changed according to season, occasion, or guest.
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The Ukiyo-e takes shape in Edo in the 17th century, tied to the rise of the merchant class. Samurai culture is still officially on top, but money has shifted downward, and ukiyo-e is what a cash-rich, status-poor class buys.
Ukiyo-e is a collaborative product: designer (artist), block carver, printer, and publisher. The publisher calls the shots. If something sells, it gets reprinted until the blocks wear out.
Subjects are immediate and worldly. Courtesans, kabuki actors, famous restaurants, seasonal festivals, erotica (shunga), travel views. This is mass media before photography, with idealized faces and codified poses.




