Japanese woodblock print (Ukiyo-e) from the series “Thirtysix Elegant Selections” (Sanjū-rokka sen) by artist Mizuno Toshikata, published in 1893. Titled “Lady-in-waiting: Woman of the Hōtoku Era (1449–52)” (Jijo, Hôtoku koro fujin). A woman in a kimono leaning on a balcony railing adorned with blooming wisteria. Mizuno Toshikata (1866–1908) was a renowned Meiji-era artist known for his bijin-ga (pictures of beautiful women). The series illustrates beautiful women from 35 different historical Japanese eras, serving as a visual guide to historical fashion and customs. This specific piece represents a noblewoman or lady-in-waiting from the Hôtoku Era (mid-15th century). Toshikata was a student of the famous artist Tsukioka Yoshitoshi. His “Thirty-six Beauties” series is noted for its delicate printing techniques, such as embossing (used here on the white kimono) and soft color shading known as bokashi. The series was published by Akiyama Buemon of the Kokkeido publishing house. Size: 38 x 25 cm
Our Japanese Paintings
The japanese painting for sale in our collection are carefully selected to bring you one of the quintessential forms of Japanese art. Masters such as Hokusai and Hiroshige have portraid the people and beauty of Japan. Both Kakejiku and Ukiyo-e represent the most traditional form of painting.
- The Kakejiku appear in their mature form around the Heian period (9th–12th c.), heavily influenced by Chinese hanging scrolls brought by monks and diplomats. At first they’re mostly religious: Buddhist images and calligraphy used in temples. By the Muromachi period (14th–16th c.) they move into elite secular spaces, especially the tokonoma, the elevated alcove of the traditional Japanese room.
During the Momoyama and Edo periods, kakejiku explode in variety and social reach. Tea ceremony culture is crucial here: the scroll sets the tone of the room and is changed according to season, occasion, or guest.
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The Ukiyo-e takes shape in Edo in the 17th century, tied to the rise of the merchant class. Samurai culture is still officially on top, but money has shifted downward, and ukiyo-e is what a cash-rich, status-poor class buys.
Ukiyo-e is a collaborative product: designer (artist), block carver, printer, and publisher. The publisher calls the shots. If something sells, it gets reprinted until the blocks wear out.
Subjects are immediate and worldly. Courtesans, kabuki actors, famous restaurants, seasonal festivals, erotica (shunga), travel views. This is mass media before photography, with idealized faces and codified poses.






